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Ellie McGuire

Review: Aistis 'Clay'

Lithuanian-Canadian artist Aistis’ latest album, Clay, offers an evocative exploration of the complexities of love and relationships. This 11-track alternative folk album emerges as a companion piece to his upcoming release, Caviar For Seagulls, yet stands firmly on its own, showcasing a distinct blend of reality and fiction that will captivate listeners.


Clay delves deep into the cyclical nature of romantic entanglements, presenting a poignant soundscape that mirrors the intricate dance of love’s push and pull. Through his unique storytelling, Aistis navigates the tumultuous waters of a confusing yet beautiful relationship. His candid exploration is layered with self-reflection, humour, and raw emotion, creating an album that is as introspective as it is relatable.


The album’s narrative is non-linear, much like the unpredictable path of love it depicts. From the re-examined obsessions in “Plateau Botticelli” to the resigned acceptance in “So They Say,” and the bittersweet aroma of “Lilac Perfume,” Aistis’ journey through Clay is a testament to his lyrical prowess and emotional depth.


Musically, Clay, is an atmospheric blend of folk and alternative elements, enriched by Aistis’ experimentation with song structure and pacing. The album’s title track concludes with a haunting piano ballad, reinforcing the theme of love’s lingering presence. Tracks like “Thought It Over (And I Think You Should Move On)” and “The Mouse In The Kitchen” further exemplify his ability to weave intricate stories with a minimalist yet evocative soundscape.


Aistis’ use of multiple narrators – himself, his muse, and an inner voice – adds layers to the storytelling, making each song a vignette within the larger tapestry of the album. This approach allows for a rich exploration of themes such as hypocrisy, romanticism, and self-deprecation, making, Clay, a multifaceted listen.


Aistis, known for his verbose and sincere art-folk style, draws inspiration from literary songwriters like Leonard Cohen and Andy Shauf. His previous work, including the debut album, Love Me, I’m Bored, showcases his talent for blending nostalgia with contemporary sounds. In Clay, Aistis continues this tradition, using his music as a vehicle for emotional truth and artistic expression.


Living in Montreal, Aistis infuses his Lithuanian-Canadian heritage into his music, creating a unique sound that is both culturally rich and deeply personal. His previous singles, such as “Dumb Dumb In Distress” and “Lover Of Creation,” have set the stage for the deeply introspective journey that Clay offers.


Clay is a compelling addition to Aistis’ discography, reflecting his growth as a songwriter and storyteller. The album’s intricate blend of reality and fiction, combined with its thematic depth and atmospheric sound, makes it a standout in the alternative folk genre. As Aistis prepares for the release of Caviar For Seagulls, Clay serves as a powerful reminder of his ability to transform personal experiences into universal narratives.


With Clay, Aistis not only explores the complexities of love but also invites listeners to join him in the search for meaning within the tangled web of human emotions. The result is an album that is as hauntingly beautiful as it is thought-provoking, marking a significant milestone in Aistis’ artistic journey.


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