Eleanor Releases Hypnotic New Single - 'There’s no quiet, there’s little relief'

After years in the making, Liverpool-based singer-songwriter Eleanor delivers a gorgeously layered debut EP that charts the chaos of heartbreak, young love, and coming-of-age through a genre-blurring soul-pop lens.

There’s no quiet, there’s little relief is no ordinary debut—it’s a meticulous and emotionally charged body of work shaped over a decade, drawing from Eleanor’s blues and classical roots while embracing bold production shifts and modern pop sheen.

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Press Photos by Lens of wool

Opening with Ghost, the mood is set in dramatic slow-burn fashion—brooding strings, emotive phrasing, and rich instrumentation framing Eleanor’s delicate but direct voice. That precision continues on Cold Day in Hell, a previously released ballad that leans into jazz-tinged blues with mournful weight. Elsewhere, Sugar—the lead single—offers a glossier edge: all groove-driven rhythm, playful infatuation, and bright melodic turns that contrast sharply with the EP’s more introspective moments.

Tracks like Prey and Copper stretch Eleanor’s vocal control further, introducing lush orchestration and dynamic, theatrical swells that echo her background in performance. The double version of Stuck on Loving You rounds out the project with aching romanticism—an understated intro followed by a fuller arrangement drenched in longing and nostalgia.

Eleanor’s self-awareness runs throughout: “It’s dramatic, messy, and self-involved—in the best way,” she says, and that’s exactly the EP’s charm. With contributions from collaborators across the UK and Europe, including production from Sloeflower Studio and mastering by Morten Lund, this is a confident and affecting debut—restless in tone, but resolute in craft.

“This EP is a culmination of my experiences from 16-21. It’s been a total of 10 years to make from start to finish and has gone through many iterations as I’ve grown and changed. Stylistically this EP explores so many variations as I was finding out what I like and how i relate through my music. You can hear my blues and classical background but also the modern pop peeks through. It’s a melting pot of stuff so the fact that it was handled by 3 producers means you sort of get 3 ears across the project. I’ve had so much fun including the craziest sounds and instruments onto it, it’s been rife with childlike fulfilment. Being able to finally put this body of work out genuinely means everything because it shaped so much of who I am now. What I’ve learnt from and healed from, now it’s going to live and breathe in the world… I feel like I can close this chapter without leaving it behind. ”  - ELEANOR