Inside r4vn’s ‘raven’s inferno’: When Darkness Becomes a Mirror…

A spectral fusion of witch house and dark fairycore, the record captures the eerie allure of unseen worlds through immersive self-production and raw emotion.

Out now on all streaming platforms

On raven’s inferno, Atlanta-based producer, vocalist, and composer r4vn conjures a world that flickers between dream and decay — a witch house odyssey steeped in dark fairycore ambience and occult symbolism. It’s a record that sounds like it was pulled from another realm: eerie, immersive, and beautifully unhinged. Released on Halloween, it feels less like a collection of songs and more like a séance, each track an invocation of shadow and self.

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Across the album, r4vn builds her sound from the ground up — programming synthesizers, Serum patches, and Arturia keys to craft an aesthetic that feels both cinematic and claustrophobic. There’s a palpable sense of ritual in her production: echo-drenched percussion, drones that hum like distant machinery, and whispered melodies that blur the line between mechanical and spiritual. The effect is hauntingly cohesive, transforming her electronic textures into a kind of emotional architecture.

Opening with the visceral “you coward!”, the album immediately establishes its tone of defiance and vulnerability. “i eat men like air” channels subversive power through distorted rhythm and spectral vocal layering, while “flirting with madness” folds introspection into glitch-laden hypnosis. The closing track, “the watcher.”, retreats into spectral stillness — a ghostly coda that feels like the last breath of a dream.

Yet what makes raven’s inferno so compelling is its underlying humanity. Beneath its synthetic surface lies the pulse of a deeply personal mythology — one informed by r4vn’s anarchist leanings, fascination with gnostic mysticism, and drive for authenticity. Her music becomes a mirror for the unseen: grief, transformation, and the radical act of existing outside prescribed boundaries.

For fans of Sidewalks and Skeletons, Crystal Castles, and STM, this album stands as both homage and evolution. raven’s inferno doesn’t just inhabit the witch house genre — it expands it, infusing its darkness with a rare, luminous depth…