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Mutual Shock 'Nervous Systems' Is An Icy Elegy for the Fractured Self

  • jimt
  • Jun 11
  • 2 min read
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Dan Powers, the shadowy force behind Seattle’s Mutual Shock, steps into the void with Nervous Systems, a debut that doesn’t so much arrive as it oozes—unflinching, urgent, and seductively bleak. If last year’s Stimulus Progression hinted at something brooding beneath the surface, this full-length effort rips the floorboards up. Fusing synthpop shimmer with the austere mechanics of cold wave, Powers crafts a record that reads like a dispatch from the outskirts of human emotion—where detachment isn’t a failure but a survival tactic.


There’s a brutal precision to the way Nervous Systems unfolds: ten tracks that pulse with analog warmth, yet never let you get too comfortable. “Destroyer” sets the tone with a metallic heartbeat and vocals that drift somewhere between disembodiment and desire. “Body Together” and “Bore Me” continue the descent, pairing post-punk restraint with throbbing urgency, as Powers explores the dissonance between physical connection and emotional vacancy. Fans of Drab Majesty or Molchat Doma will feel at home—but Powers isn’t parroting, he’s distilling. Each track feels chiseled from concrete and flickering tube screens.


What elevates the album is its thematic clarity. Nervous Systems isn’t just aesthetic; it’s deeply felt. Powers sketches out a world buckling under late capitalism’s silent violence—where cubicle walls become psychic barriers, and screens mediate every moment of intimacy. Yet even at its most desolate, the album resists nihilism. Instead, it captures a specific 21st-century ache: the longing to feel something real in a world that commodifies every feeling.


Sonically, the palette is grey, but never flat. The influence of Nine Inch Nails' dystopian maximalism meets the elegant decay of early Depeche Mode, all filtered through a lo-fi lens that recalls the raw edge of Cabaret Voltaire. Tracks bleed into each other with a relentless momentum—claustrophobic, yes, but never stagnant. There’s space here, not for relief, but for reflection. It’s music for late-night walks through empty cities, for watching neon blur through rain-streaked windows.


In Nervous Systems, Mutual Shock has delivered more than an album—it’s an emotional architecture, a stark and shimmering mirror for the disillusioned. Powers doesn’t just document alienation; he sculpts it, giving form to the numbness we’ve all come to normalize. It’s haunting, yes—but within that haunt is a kind of strange grace. If our nervous systems are breaking down, Mutual Shock has given us the soundtrack to feel it—fully, fearlessly.



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