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New Zealand’s Echomatica come alive with their dreamlike self-titled debut album

  • Writer: FLEX
    FLEX
  • 3 hours ago
  • 2 min read
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Echomatica’s self-titled debut album emerges from Auckland’s indie undercurrent like a late-night broadcast that lingers in your mind. Eleven tracks deep, 'Echomatica' is both an homage and an introduction to their sound, delivering an immersive journey that fuses alt-rock grit, dream-pop shimmer, trip-hop hypnotics, and shoegaze textures into a sound entirely its own.


From the opening breath of 'Breathe', the album exudes intimacy. Charlie Maclean’s delicate yet emotive voice floats across analogue soundscapes that swell like tides in slow motion, immediately pulling us into a space where vulnerability and cinematic scale coexist. Tracks like 'Heartbeat' and 'Something' pulse with restless energy, balancing urgency and melodic sophistication, demonstrating the band’s knack for building tension that resolves in subtly anthemic moments.


Instrumentally, the record thrives on contrasts. AJ and Matt Chong layer shimmering guitars, glitchy synths, and intricate percussion with an ease that belies the careful craftsmanship behind each arrangement. Bassist Scott Samson’s work grounds the compositions with rhythmic precision, allowing Maclean’s nuanced delivery to hover weightlessly above the mix.


What makes 'Echomatica' so compelling is its embrace of imperfection and organic performance. Recorded live to tape, the album captures moments of unpredictability and frisson as it plays. The closing track 'Pretending We’re Human' crystallises this ethos, marrying soaring ambience with lyrical contemplation about connection, fragility, and the human condition.


'Echomatica' is a record that inhabits the space between night and day. It’s introspective yet expansive, melancholic yet alive, showcasing a debut that signals the arrival of a band capable of crafting atmospheres that are as emotionally arresting as they are intricate. For those who cherish music that rewards patient listening, this is an album to get lost in and then return to, time and time again.



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