Poems For Dead People & Intertitle deliver a shadowed soundscape of isolation with 'It Is Howling Here'

Poems For Dead People and Intertitle transcend conventional electronic music on their new collaboration 'It Is Howling Here', forging a haunting, noir-infused exploration of solitude and resonance.

From the first notes, Intertitle’s signature electro textures dominate with moody synths punctuated by subtle percussive throbs that feel more pulse than rhythm. Into this immersive framework, Ryan Kent’s vocal delivery arrives as a ghostly narration, weaving through the electronic architecture with a blend of spoken word and lyrical intonation. The result is a space that feels both intimate and expansive, a private broadcast from the margins of memory and consciousness.

The production emphasises contrast and layering, with every tonal shift designed to unsettle as much as it captivates. Background hums swell and fade, creating an ebb and flow that mirrors the thematic concerns of isolation and reflection. The vocal lines, recorded separately and intricately integrated, hover over the instrumentation, reinforcing the track’s meditative, almost cinematic quality.

But what makes 'It Is Howling Here' remarkable is the synergy between abstraction and narrative. We are invited into a liminal space where memory, machinery, and melancholy converge.

Poems For Dead People and Intertitle have crafted a bold statement with this single, delivering a work that defies categorisation that balances fragility and intensity. It is a moody, mesmerising testament to the possibilities of collaborative experimentation in electronic sound.