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Slow Walk finds triumph in tension on debut album 'The Mountain'

  • Writer: FLEX
    FLEX
  • 14 hours ago
  • 2 min read
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While some records feel like they’re chasing something outside themselves, Slow Walk’s debut 'The Mountain' plants its flag firmly. Written and recorded in just two weeks in a London flat, the album has the urgency of a creative sprint yet carries the weight and ambition of a much grander project.


From the opening climb of 'Mountain Dreamer', it’s clear that this is seeking to become something bigger than an ordinary debut. Synths glimmer like distant horizons, while guitars slice through with a sharpness that suggests both determination and fragility. The metaphor of the mountain is the spine of the album. Every track becomes another step upward, another confrontation with fatigue, resistance, or release.


Highlights come thick and fast. 'High Chance' pushes forward with a rhythmic drive that feels like the stubborn pace of someone who refuses to turn back, while 'Don’t Carry That Weight' offers a cathartic reminder that some burdens are meant to be left behind. Both tracks balance struggle and surrender, showing Slow Walk’s knack for transforming personal battles into collective anthems.


But perhaps the most striking moment arrives with 'From The Town Below'. Instead of gazing at the peak, the song lingers in the valley, embodying the perspective of someone stalled in the shadow of their ambition. Its gritty textures and heavier instrumentation mirror the frustration of deferred dreams, watching others ascend while remaining grounded. It’s the record’s most poignant reminder that longing can be as powerful a state as achievement.


What makes 'The Mountain' stand apart is its refusal to be pigeonholed. There are traces of electronica, rock, and indie-pop here, but the unifying thread is cinematic scope. Slow Walk isn’t afraid to leave the imperfections exposed either; the sequential layering of each track gives the album a raw immediacy, as if you’re hearing the struggle unfold in real time.


It’s a debut that manages to be both intimate and expansive, deeply personal yet resonant enough to feel universal. In short, Slow Walk has carved out a new summit all of his own.



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