On his second full-length release 'Solip', Irish singer-songwriter Kilkelly delivers a bold, unsettling and richly imagined record that expands folk music far beyond its familiar boundaries. Rooted in storytelling but alive with theatrical tension, strange detail and flashes of genuine beauty, 'Solip' feels like the work of an artist refusing to make grief polite, predictable or easy to consume. Its instrumental world is extraordinary, as sweeping strings and choral voices ap

There is an uneasy magnetism running through Banquet Darling’s new single ‘Shivers and Echoes’. And as the final preview of forthcoming second album 'NOW', the track presents Todd Kilby’s project at its most tactile and self-assured. Built from grimy guitar tones, prowling rhythms and a vocal performance that seems to hover somewhere between invitation and warning, ‘Shivers and Echoes’ explores the private negotiations that exist within desire. Control passes from one person

On Water to Wine, Los Angeles lyricist Cashus King and London-based producer Big O deliver a thoughtful collaboration built on introspection, resilience and understated musical craftsmanship. Rather than relying on spectacle, the album finds its strength in purposeful songwriting, soulful production and a shared commitment to authenticity. Big O's production anchors the project with warm soul samples, jazz-infused arrangements and cinematic textures that provide the perfect c

There is a compelling tension at the heart of Kiey’s new single ‘phan thiet’. While its origins lie in an unplanned moment of calm on the coast, the finished release is shaped by grief, fixation and the uncomfortable distance between memory and reality. As the lead introduction to his forthcoming album 'METROMIRAGE', the track presents Kiey at his most deliberate. Dream-pop softness and contemporary R&B sensibilities provide the musical setting, allowing the song to carry a s

The image of the open road has long been woven into American rock music, carrying with it ideas of freedom, escape and the possibility of starting again. And on 'Mystic Highway Road Trip', DownTown Mystic revisits that familiar landscape through six tracks shaped by steady grooves, seasoned performances and an evident affection for traditional rock songwriting. The EP grew from responses to 2025’s 'Mystic Highway', with critics repeatedly noting how naturally its songs suited

After three decades spent moving between nu-jazz, house, funk, trip-hop and electronic experimentation, producer Paul Cullen might reasonably be expected to settle into a familiar lane. Instead, his project The Natural Curve continues to operate through curiosity, with new single ‘Silly Girl’ opening another route into synth-pop without abandoning the musical warmth that has long defined his work. The track introduces vocalist Liberty Taylor, whose spirited performance gives

There is no shortage of music attempting to make sense of the present moment, but few releases approach the subject with the composure and scale of Common Saints’ new EP 'Age of Illusions'. Across the project, London-based producer and multi-instrumentalist Charlie J Perry turns his attention towards technological anxiety, spiritual disconnection and the growing difficulty of recognising what feels genuine in a world increasingly shaped by artificial systems. These are broad,

There is a moment in ‘everything goes’ when Holylight seems to stop resisting its own momentum. The guitars swell, the atmosphere widens and the song begins to feel like a body being carried forward by forces it can no longer control. And that sensation sits at the centre of the track: time is moving, nothing stays fixed, and peace may only become possible once we stop pretending otherwise. Led by Dublin-based songwriter, producer and multi-instrumentalist Alex Rosenberger, H

The Orange Blossoms ‘Green Light’ demonstrates how a band can fuse multiple genres while still maintaining a distinct and authentic artistic identity. The album blends post-punk and alternative rock influences with elements of funk, experimental textures, and classic rock references, resulting in a project stylistically varied yet grounded in a clear artistic vision. The production is done by Gordon Raphae, whose key role is in shaping the sound and atmosphere of the album.

Some bands emerge cautiously, testing the waters before revealing their true identity. But Edinburgh newcomers Pray Silence have little interest in subtle introductions as their second single ‘Kill Room’ tears forward with the confidence of a band that already knows exactly what it wants to be. Built around towering guitar work and rhythms that feel permanently on the verge of collapse and recovery in equal measure, the track occupies that thrilling space between precision an

There is a particular clarity that arrives after disappointment, when the questions stop circling and the imbalance of a relationship finally becomes impossible to ignore. And on her third single ‘Ain’t My Fault’, South-West London singer-songwriter SHARAI captures that moment with impressive restraint, turning emotional hindsight into a thoughtful statement about self-worth. At just 20 years old, SHARAI already writes with a noticeable sense of perspective. Throughout the ne

Some songs demand your attention through sheer volume; others pull you in through atmosphere. On ‘high’, hazy waters manage to do both. The London trio deliver a rush of distortion, shimmering melodies and restless energy that feels as exhilarating as the fleeting connection at the heart of the song. Built around a hypnotic guitar refrain and an infectious rhythmic drive, ‘high’ unfolds with a sense of momentum that's difficult to resist. Layers of fuzzy guitars weave effortl

With the new release 'Récif', Rorksha continues to occupy a distinctive space between electronic music, folk and alt-rock, using elements of each to create a piece that feels both intimate and cinematic. Opening with the simplicity of a traditional song structure, it gradually expands outward by introducing electronic textures and increasingly layered arrangements before arriving at a more expansive conclusion where acoustic and electronic elements coexist comfortably. Transl

With her newest offering 'ÊMOONÀ', LAOR continues to develop a musical language shaped as much by intention as by melody. The eleven-track collection follows her 2019 debut 'Agradeço' and further explores the relationship between song, reflection and shared experience, creating an album that feels designed to be lived with rather than simply listened to. LAOR’s background as a musician, facilitator and guide is evident throughout the record. Her performances carry an unforced

There is a quiet rebellion running through Julie Paschke’s 'Nowhere' that exists in smaller, more meaningful acts; such as refusing to measure life by conventional milestones, resisting expectations that never quite fit, and choosing curiosity over conformity at every turn. Here, the Melbourne singer-songwriter opens the door to an alternative way of moving through the world, one where success, happiness and purpose are allowed to exist outside the boundaries that society so

Luwa.Mp4 makes a striking statement with 'o-YO¡', a two-track project that boldly reimagines the possibilities of Afro-Fusion. Fusing the rebellious energy of punk with the rhythmic traditions of Yoruba music, the Nigerian artist delivers a release that feels both culturally grounded and creatively progressive. Opening with the Kas-Beats-inspired 'Atako', Luwa.Mp4 establishes the project's uncompromising spirit through layered percussion, distorted guitars and an infectious s

There is a rare confidence in knowing when not to fill every space. And on her self-titled debut album, Maria Mihailik embraces restraint with remarkable assurance, allowing silence, breath and carefully chosen instrumentation to become as expressive as the melodies themselves. Drawing from London’s thriving contemporary folk landscape while carrying the emotional weight of her Ukrainian heritage, she crafts songs that feel truly lived-in. Her writing never reaches for grand

Longevity can be a burden for many bands. Too often it becomes an exercise in nostalgia, revisiting former glories without adding anything new to the conversation. But Midway Still refuses to fall into that trap. More than three decades after first carving out their place in Britain’s underground guitar scene, the London trio return with ‘What If…?’, a four-track EP that feels every bit as urgent as anything they have released before. What immediately stands out is how natura

There is a rare confidence in the way Rumour Den tells a story. No unnecessary drama, no oversized choruses demanding attention, and no guitar heroics competing with the lyrics. With their latest anthem, ‘Part of the Problem’ proves that a carefully crafted song can be just as gripping when it trusts its narrative and allows emotion to do the heavy lifting. The Northern Irish partnership of AJ Gilmore and Steve Simms has clearly spent years refining their creative chemistry,

There is a noticeable sense of perspective running through Reetoxa's latest single ‘Bottle’. While the song may have originated decades ago, it demonstrates how time can deepen both songwriting and performance, transforming an early idea into something that carries greater emotional clarity. Originally conceived during Jason McKee’s teenage years, ‘Bottle’ arrives with the benefit of lived experience. But rather than attempting to simply recreate the spirit of the 1990s, Reet