MAMI UMAMI’s AFTERwork arrives as a tightly wound document of exhaustion, momentum and late-capitalist overstimulation, the kind of EP that feels less “written” than lived through. Shaped over two years of late nights and shifting headspaces, it channels burnout, early adulthood pressure and the uneasy humour of simply trying to keep pace in a world that rarely slows down. Across its runtime, the duo refuse clean genre boundaries. Instead, AFTERwork moves in sharp, instinctiv

There’s something instantly transportive about ‘Starcrossed Love’, the kind of track that doesn’t just play, it wraps itself around you. From the jump, Mr. Sham G leans into that liquid drum & bass sweet spot: rolling breaks glide effortlessly underneath deep, resonant basslines, while those shimmering melodies give everything a sense of lift. And then the vocals come in, light, airy, almost ghostlike, floating above the mix in a way that really sells the emotion at the hear

London-based electronic duo Red Mercury, producer Steve Gregory and vocalist/writer Isobel Crawford, return with “People are to Love”, their most cinematic and immersive release yet. Blending drum & bass, techno, and widescreen electronic textures, the track balances tactile low-end production with striking vocal hooks, moving effortlessly between club intensity and narrative-driven atmosphere. The single features Hong Kong-based DJ and producer Gargoyle Girlfriend (Rachel Mc

There’s something quietly powerfuk about dive in / breathe out , the debut album from Málaga trio chinachinachina. From the opening moments, it feels like slipping beneath the surface of still water - suspended, weightless, and completely absorbed. Rather than pushing for instant impact, the record unfolds slowly, pulling you into its lush lanscape with patience and control. Sonically, the album exists in a beautifully blurred space between dream rock, contemporary R&B, and e

Rupert Träxler’s Atmospheres arrives as a defining moment in the Vienna-based artist’s evolving catalogue. Following the acclaimed The Journey and Darkness , this third release under his moniker signals a deeper dive into sonic world-building—one driven by curiosity, intensity, and ambition. At its core, Atmospheres is a collision of forms. Drum & bass and jungle loops provide kinetic propulsion, while heavy rock elements inject a visceral edge. The track unfolds cinematic

With “Mamacita,” Scottish producer AKIRAH reasserts his command over the heavier end of bass music, delivering a bruising riddim anthem that manages to feel both combustible and deliberately sculpted. The opening motif—an intriguing blend of Latino flair and UK drill sensibility—sets a taut atmosphere, as though the track is holding its breath before plunging into a maelstrom of sub-shaking bass and razor-edged synth work. Subtlety is not the point here; AKIRAH intends for ev