There’s something instantly transportive about ‘Starcrossed Love’, the kind of track that doesn’t just play, it wraps itself around you. From the jump, Mr. Sham G leans into that liquid drum & bass sweet spot: rolling breaks glide effortlessly underneath deep, resonant basslines, while those shimmering melodies give everything a sense of lift. And then the vocals come in, light, airy, almost ghostlike, floating above the mix in a way that really sells the emotion at the hear

London-based electronic duo Red Mercury, producer Steve Gregory and vocalist/writer Isobel Crawford, return with “People are to Love”, their most cinematic and immersive release yet. Blending drum & bass, techno, and widescreen electronic textures, the track balances tactile low-end production with striking vocal hooks, moving effortlessly between club intensity and narrative-driven atmosphere. The single features Hong Kong-based DJ and producer Gargoyle Girlfriend (Rachel Mc

There’s something quietly powerfuk about dive in / breathe out , the debut album from Málaga trio chinachinachina. From the opening moments, it feels like slipping beneath the surface of still water - suspended, weightless, and completely absorbed. Rather than pushing for instant impact, the record unfolds slowly, pulling you into its lush lanscape with patience and control. Sonically, the album exists in a beautifully blurred space between dream rock, contemporary R&B, and e

Rupert Träxler’s Atmospheres arrives as a defining moment in the Vienna-based artist’s evolving catalogue. Following the acclaimed The Journey and Darkness , this third release under his moniker signals a deeper dive into sonic world-building—one driven by curiosity, intensity, and ambition. At its core, Atmospheres is a collision of forms. Drum & bass and jungle loops provide kinetic propulsion, while heavy rock elements inject a visceral edge. The track unfolds cinematic

With “Mamacita,” Scottish producer AKIRAH reasserts his command over the heavier end of bass music, delivering a bruising riddim anthem that manages to feel both combustible and deliberately sculpted. The opening motif—an intriguing blend of Latino flair and UK drill sensibility—sets a taut atmosphere, as though the track is holding its breath before plunging into a maelstrom of sub-shaking bass and razor-edged synth work. Subtlety is not the point here; AKIRAH intends for ev