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'Va' dove t'importa, cuore' is Sargassi's beautifully unruly journey through love, loss, and self

  • Writer: FLEX
    FLEX
  • 2 hours ago
  • 2 min read

There’s something electrifying about a record that doesn’t pretend to have the answers, and on his newest release 'Va’ dove t’importa, cuore', Italian artist Sargassi leans fully into uncertainty, crafting a record that lives in contradiction and capturing the messy poetry of being human with striking clarity.


From the outset, 'Non esisti neanche' drifts through a haze of absence and imagination, where reality blurs at the edges and emotion becomes the only compass. There’s a quiet magnetism in the way the artist balances lightness with introspection, allowing even the heaviest themes to breathe. That duality continues in 'L’ora d’aria', where tension coils beneath the surface, only to be released in bursts of biting lyricism and raw energy.


Across the album, guitars form a vivid, ever-shifting backdrop, moving seamlessly between intimacy and eruption. 'Lo stallo' captures that push-and-pull perfectly, suspended between hesitation and desire, while 'Un giorno qualunque' injects a restless urgency, transforming the mundane into something quietly rebellious. Even in its more playful moments, there’s always an undercurrent of something unresolved.


The emotional core of the record reveals itself in tracks like 'Vedi di star male' and 'Maginot', where vulnerability is stripped back to its most uncomfortable truths. Meanwhile, 'Ologramma' dissolves into something more spectral, exploring memory and identity with a dreamlike fragility.


By the time we reach 'Arsenali', the album feels like it’s teetering on the edge of emotional collapse, before closing with 'La funicolare', a moment of weightless reflection that gently reframes the journey as one about acceptance.


Throughout this release, Sargassi invites you to get lost, sit with discomfort, and find meaning in the fragments. And in doing so, he delivers a record that is imperfect, searching, and beautifully real.



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