Detroit outfit XCVIII return with Till Next Time , a strikingly introspective EP that captures the band at a moment of transition. It’s a project steeped in atmosphere: post-modern art pop framed by alternative rock edges, where flickers of Radiohead-esque melancholy brush against the intimacy of Dijon and the experimentation of Mk.gee. With their debut album on the horizon, this release feels like a breath taken mid-journey—quiet, intentional, purposeful. Led by Kevin Joseph

Hamburg duo counterglow arrive with echoes of self sounding like they’ve stepped straight out of a neon-lit reverie and onto centre stage. It’s a debut soaked in dreamy synth haze and indie-soul warmth, but there’s a sharpness beneath the glow that gives the whole thing a quiet confidence. Lauren Goodley’s voice feels almost vaporous, drifting through Jonas Grell’s widescreen production with the poise of someone who knows exactly how much space to take up—and when to pull ba

MONKyMAN’s 'What About Love' is the work of an artist unafraid to navigate the intersections of memory, emotion, and rhythm. The Berlin-based electronic pop producer, originally from Stuttgart and shaped by formative years in Namibia, has long demonstrated a capacity to craft music that feels both intimate and expansive. With this album, that duality reaches a new clarity. The record’s lead single, “Hambelela,” featuring Vaudeni, is a luminous highlight. Anchored by organic p

Paulsen-Shepler are the highly dynamic and experimental duo of Andrew J. Paulsen and Ben Shepler. With a quite unique singer-songwriter...

Post-funk and alt-punk band Def Nettle share their new single ‘Architecture’ ahead of their support slot for Scattered Ashes at The Workman.