Belgian electronic producer and DJ Ghost Jr. continues to build momentum with ‘Back To You’, a high-energy new single released on 30 October 2026 via Steve Aoki’s Dim Mak Records. Blending electro-house and dance-pop with elements of his wider Trance, Techno and Eurodance influences, the release highlights an increasingly refined production identity, balancing immediate dancefloor appeal with a polished, contemporary electronic sound. Running just under three minutes, ‘Back T

After nearly a decade away from music, SKIP-DAWG is back with ‘Lyrical Playboy’, a track that taps into the confidence, charisma and personality that first drew him to the mic. Blending rap verses with a smooth R&B hook and hints of alternative rock, the single has a laid-back swagger, but there’s more going on beneath the surface. At its heart, it’s about the difference between the person SKIP-DAWG is in everyday life and the bolder, more expressive character he becomes thro

Brooklyn-based producer and artist DrewsThatDude knows how to make a track move, and new single ‘Greed’ is a case in point. Blending disco-funk, R&B and electronic club sounds, the track brings together infectious grooves and rich, cinematic production, creating something that feels equally at home on a dancefloor or through a pair of headphones. With two Grammy nominations and credits on projects by Lil Wayne and Mac Miller, DrewsThatDude is no stranger to the industry. His

Wormogenic has a knack for making difficult feelings sound deceptively euphoric, and ‘16’ is a case in point. Blending shimmering synths with gritty guitars, driving bass and a darker electronic edge, the Florida-raised artist delivers a dream-pop track that feels as good to sing along to as it does to sit with. Beneath its glossy exterior, though, lies a more complicated story about growing up and never quite knowing how long happiness will last. Written after a birthday tha

Seth Tabatznik’s ‘Infinite Beings’ is a quietly expansive piece of folk songwriting, balancing intimate reflection with a sense of something much larger. Released as the second single from his forthcoming third album, the track finds the London-born, South Africa-based artist turning inward, exploring questions of identity, purpose and acceptance through an arrangement that gradually opens into something more widescreen. At the heart of the track is Tabatznik’s songwriting, d

A Project Called Love continue their exploration of genre-blending territory with “Happy Friday,” a track that combines acoustic textures, indie-pop instincts, and alternative-rock momentum. Its concept is immediately relatable, capturing the strange experience of having a thoroughly miserable day while everyone around you insists upon celebrating the arrival of Friday. Rather than dwelling on the contradiction, the song turns it into an energetic musical punchline. The writi

Malmö duo MAMI UMAMI have never sounded particularly interested in staying within the lines. Across their releases, Jaquelin Elamiri and Leonard Furby have treated hip-hop, pop and club music less as fixed genres than as raw materials, building something distinctly their own from the collision. Their latest single, (Don't) think I like you, continues that approach with a track that is immediately kinetic but considerably more complicated beneath its surface. Co-produced with

Get ready to have your heart gently broken in the best way possible by "honest," the incredible new single from Blue Capricorn and LOREN KOLE. This Latin indie-pop collaboration is an absolute must-listen, a gorgeous and ethereal track that will wrap around you like a favorite blanket on a rainy day. It is easily one of the most emotionally compelling songs you will hear this year. From the very first note, "honest" draws you into its dreamy world. The production is simply st

Some songs have a short life. They are written, recorded, released, and eventually replaced by the next idea. “Streets of Love, Pt. 1” took a very different route. Nearly eight years after Calcutta-born artist weyvir first wrote the song as a high school student, it has finally arrived as a fully realised piece of indie rock songwriting. The track began with its chorus, which came from the emotional confusion of heartbreak and the frustration of feelings that could not quite

There’s something immediately familiar about Sanjay Michael’s ‘Baby Baby’. The Singapore-based singer-songwriter and guitarist taps into the swagger, groove and sheer fun of classic rock, bringing plenty of big riffs and bluesy attitude without making the track feel like a simple trip down memory lane. Drawing on the spirit of ’70s and ’80s rock, the track carries echoes of Hendrix, AC/DC, Guns N’ Roses and Van Halen, but Sanjay gives those influences plenty of room to breath

Wardrobe Malfunction aren’t particularly interested in staying in one lane, and ‘Made 2’ is a pretty good demonstration of that. The latest single from the five-piece jumps between psychedelic rock, funk-jazz and indie pop, throwing plenty of ideas into the mix without ever losing its grip on melody. It’s adventurous and slightly unpredictable, but there’s a playful quality running through it that keeps everything feeling natural rather than overly technical. The band’s story

Bristol four-piece Spin Class come roaring back with ‘Rip ‘N’ Dip’, a hefty, groove-led rocker that wastes no time getting under your skin. Fuzzed-up guitars, pounding drums and soaring vocals give the track plenty of weight, but there’s also a strong sense of melody running through the noise. Recorded live with producer Josh Gallop at Stage 2 Studios in Bath, the track is all about building tension. It starts relatively restrained, gradually locks into its central groove and

Kieran McKenna’s “TOO MUCH TO ASK FOR” delivers a confident blend of indie rock, alternative pop and punk, built around gritty guitars, punchy drums and a driving bassline. Produced alongside Max Topelson, Sighmon and Berlo, the track retains an organic, live feel, with deliberately unpolished textures adding character to its energetic arrangement. McKenna’s vocal performance moves effectively between restraint and intensity, complementing the track’s dynamic production while

Matilda Grace clearly knows what makes pop music fun. Her latest single, ‘Cover Boy’, arrives with plenty of colour, confidence and a healthy dose of nostalgia, bringing together glossy synths, catchy melodies and the larger-than-life spirit of 80s and 90s pop. It’s an easy track to get into, but there’s more going on than simply revisiting the sounds of the past. Grace takes inspiration from pop icons including Madonna and Cyndi Lauper, alongside the sleek new-wave sensibili

"Nightflower" finds Teddy Reimer refining the emotional language of slowdrip with remarkable assurance. The single builds upon the foundations established by the debut album while pointing toward a more expansive creative vision, one rooted in questions of identity, perception, and genuine human connection. Its understated confidence makes an immediate impression. The songwriting is refreshingly unguarded, examining what it means to remain conscious in an age defined by const

FAVNA’s latest single, Not A Dream, is a beautifully crafted exploration of emotion and atmosphere, reaffirming the Danish producer’s growing reputation within the melodic and progressive house landscape. Rich in texture and understated in its delivery, the track captures a sense of introspection that feels both deeply personal and universally relatable. From the opening moments, the production establishes a warm and immersive environment. Gentle melodic layers unfold with pa

“Go Go Go” sees Katie Dauson refine her blend of vintage rock influences and contemporary indie sensibilities into a cohesive, energetic single. Drawing from 1960s garage rock and subtle soul undertones, the track feels rooted in tradition while maintaining a clear modern edge. The instrumentation is direct and effective, with guitars leading much of the track’s forward motion. There’s a satisfying roughness to the production that enhances its authenticity without compromisin

On the back of her stunning single 'Un(familia)rity' which blends between the digital age of pop and how technology should be used within music, August Kamp channels this energy so eloquently, and is an artist that will be on your radar in the coming months. We had the chance to sit down with her to learn all about the 5 songs she loves, exclusively for FLEX! -- 1. Bon Iver – 8 (circle) gotta open with my long-standing favorite song. it just seems perfect to me, idk. it’s suc

Loud Liars just released their fiery new single ‘Red Handed’. Embracing the sounds of modern metal and lacing it with infectious pop...