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US3R Confronts Modern Overload on New Album “DOPAM1NE”

  • jimt
  • 13 hours ago
  • 2 min read


Seattle producer and multi-genre artist US3R returns with DOPAM1NE, a tightly wound collection of synth-heavy pop tracks that examine modern overstimulation with precision and punch. Known for fusing electronic textures with confessional songwriting, US3R sharpens his edge on this project, blending synthwave gloss, industrial grit, and alt-electronica into an album that feels wired for both the body and the mind.


“Lyrically, DOPAM1NE is my commentary on the sick state of the world today. Sonically, it is soaking wet with ear candy - I wanted to make your ears and your brain dance throughout the whole experience. It feels like the ups and downs of addiction - a total mind fuck when you’re feeling excitement and despair at the same time.”

That push-pull dynamic defines the record. While shimmering pop hooks dominate tracks like “Dopamine,” the album frequently plunges into darker territory. “Angel” stands out with its warped vocals and brooding synths, offering a slow-burn tension that contrasts sharply with the brighter moments. Throughout, US3R layers distorted melodies, deep bass, and intricate synth patterns that nod to influences ranging from 2010s darkwave to modern industrial pop.


Recorded in Seattle, DOPAM1NE echoes the contrasts of the city itself — wealth and struggle, euphoria and disillusionment, coexisting uneasily. The production is dense but deliberate, with every texture engineered to pull the listener between escapism and confrontation.


In under 40 minutes, US3R delivers an album that’s lean, dynamic, and unflinchingly direct. DOPAM1NE won’t just soundtrack late-night drives or dark dance floors — it challenges listeners to confront the overstimulated haze we often live in. For those looking for electronic pop that hits harder and cuts deeper, this is one to keep close.



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