Juliet Ariel teams up with French producer Karim Naas for 11:11, a sleek Afro House collaboration that brings together infectious rhythms, melodic appeal and an atmospheric late-night feel. Released via Paraíso Records, the track finds the pair exploring the pull of an unexpected connection, delivering a sound that feels equally at home on the dancefloor and in a more laid-back listening setting. Born in Kinshasa, raised in Paris and now based in Australia, Juliet has develop

Montréal-based synthwave producer Das Mörtal returns with DECVY I, a seven-track mini-album that pushes his dystopian electronic sound into darker, more psychologically demanding territory. Released on 30 October 2026 via Lisbon Lux Records, the project marks the opening chapter of an ambitious trilogy exploring physical and mental deterioration through darkwave, dark techno, witch house and trance. Written during a period of personal health struggles, the record channels ill

Belgian electronic producer and DJ Ghost Jr. continues to build momentum with ‘Back To You’, a high-energy new single released on 30 October 2026 via Steve Aoki’s Dim Mak Records. Blending electro-house and dance-pop with elements of his wider Trance, Techno and Eurodance influences, the release highlights an increasingly refined production identity, balancing immediate dancefloor appeal with a polished, contemporary electronic sound. Running just under three minutes, ‘Back T

Brooklyn-based producer and artist DrewsThatDude knows how to make a track move, and new single ‘Greed’ is a case in point. Blending disco-funk, R&B and electronic club sounds, the track brings together infectious grooves and rich, cinematic production, creating something that feels equally at home on a dancefloor or through a pair of headphones. With two Grammy nominations and credits on projects by Lil Wayne and Mac Miller, DrewsThatDude is no stranger to the industry. His

Robert Hinrichs turns personal upheaval into a burst of synth-driven pop on ‘The Road’, a track that balances reflective songwriting with an increasingly euphoric sense of release. Drawing on funk, new wave and electronic production, it pairs bright synths and propulsive rhythms with the theatrical pop sensibilities of Scissor Sisters and Mika, while retaining a distinctive experimental edge. Written in the aftermath of a difficult relationship and a fresh creative start, the

Malmö duo MAMI UMAMI have never sounded particularly interested in staying within the lines. Across their releases, Jaquelin Elamiri and Leonard Furby have treated hip-hop, pop and club music less as fixed genres than as raw materials, building something distinctly their own from the collision. Their latest single, (Don't) think I like you, continues that approach with a track that is immediately kinetic but considerably more complicated beneath its surface. Co-produced with

UK techno artist ADRIANNA continues the rollout towards her forthcoming album ADRIANNARCHY with Power Back Remixes, a two-track EP featuring acclaimed Italian producer T78’s contrasting interpretations of ‘Power Back’. Released September 25 via her TMPL Music imprint, the project launches a seven-week remix series that will see artists including Wehbba, Alex Stein, Christian Smith, Drunken Kong and The Obsessed rework tracks from the album ahead of its October 23 release. T78

Hope has become an increasingly difficult emotion to communicate convincingly in contemporary pop, yet Lauren Akosia manages exactly that on "It's Time." Rather than relying on grand declarations or obvious affirmations, the London singer-songwriter builds her latest single around quiet persistence, allowing its emotional weight to emerge gradually through elegant songwriting and richly textured Afro-house production. Musically, the track occupies an inviting space between de

Italian producer Mazare has never been particularly interested in staying inside the lines, and ‘Ego Death’, the title track from his latest EP, released via Universal Music Italia, makes that instinct impossible to miss. Teaming up with Glasgow alternative rock and post-hardcore outfit Newshapes, Mazare delivers a track that thrives on contrast, pairing atmospheric electronic production with the raw physicality of metalcore and drum & bass. The track wastes little time estab

On “U Ain’t The Only One,” Riconoflow takes a familiar theme—heartbreak—and reshapes it into something unexpectedly energizing. Rather than dwelling in emotional wreckage, the Brazilian-born artist focuses on the moment when perspective returns and self-belief begins to replace disappointment. The result is a track that feels less like a breakup song and more like a declaration of personal freedom. Musically, the single thrives on its fusion of electronic house production and

There are albums that settle comfortably into a scene, and then there are albums like kas-ee-oh-chenz, which seem determined to wander through several of them before the first side is over. Casiocenz embraces stylistic freedom with infectious confidence, moving effortlessly between psych rock, post-punk, electronic experimentation, indie melodies, and flashes of classic rock exuberance. Remarkably, none of it feels forced. The record thrives on momentum. "Mind Grapes" opens w

DJ Artin continues to prove that emotional storytelling and dancefloor appeal are far from mutually exclusive on his latest single, 'Free Summers'. Featuring the radiant vocals of Clarsy Mae, the track lands as an uplifting slice of melodic dance-pop, balancing festival-sized energy with a refreshing sense of sincerity that gives it lasting impact beyond its immediate hooks. Built around shimmering synth work, warm piano flourishes and crisp house-inspired percussion, 'Free S

Few artists are better equipped to reimagine a track for the dancefloor than NERVO, and their remix of Jairic's "Don't Let Me Put A Track On You" proves exactly why. Trading the original's gritty hip-hop leanings for a driving techno pulse, the Australian duo transforms the track into a festival-ready cut without sacrificing the personality that made it stand out in the first place. Jairic's commanding vocal performance remains the remix's anchor, cutting cleanly through poun

FAVNA’s latest single, Not A Dream, is a beautifully crafted exploration of emotion and atmosphere, reaffirming the Danish producer’s growing reputation within the melodic and progressive house landscape. Rich in texture and understated in its delivery, the track captures a sense of introspection that feels both deeply personal and universally relatable. From the opening moments, the production establishes a warm and immersive environment. Gentle melodic layers unfold with pa

With 'Soldier', Sighmon further refines his genre-fluid approach, drawing from hip-hop, R&B, indie, and electronic influences to create a track that feels both intimate and expansive. Rooted in themes of longing and emotional vulnerability, the Los Angeles-based artist demonstrates a growing confidence in translating personal experiences into resonant songwriting. Built around textured guitar work, rich low-end production, and understated atmospheric elements, 'Soldier' balan

With his debut album 'The Skin Of Time[, THE ILLUSTRATED MAN delivers a cinematic electronic statement that feels as indebted to storytelling as it does to the dancefloor. Released via ILINX Records, the 11-track project expands on the momentum generated by recent singles ‘Dance of Shadows’ and ‘The Heart of Fire’, showcasing an artist whose vision extends far beyond conventional club music. Born in Yerevan and now based in Dubai, THE ILLUSTRATED MAN draws inspiration from li

MAMI UMAMI’s AFTERwork arrives as a tightly wound document of exhaustion, momentum and late-capitalist overstimulation, the kind of EP that feels less “written” than lived through. Shaped over two years of late nights and shifting headspaces, it channels burnout, early adulthood pressure and the uneasy humour of simply trying to keep pace in a world that rarely slows down. Across its runtime, the duo refuse clean genre boundaries. Instead, AFTERwork moves in sharp, instinctiv

DJZEPiC continues to refine his formula of funk-laced house and disco-inspired euphoria with 'i GOT A FEELiNG', a single that feels tailor-made for sunset sets, packed dancefloors, and feel-good festival moments alike. The Australian producer has steadily built a reputation for blending nostalgic influences with contemporary club production, and this latest release is among his most polished efforts to date. Built around a buoyant groove and a relentlessly infectious rhythm s

Few producers in modern electronic music navigate the intersection of heavy music and dancefloor energy as confidently as Mazare. On his latest release, ‘King For A Day’, the Italian producer joins forces with Brighton’s rising metal outfit EVILLE to deliver a genre-defying anthem that combines the raw intensity of alternative rock with the adrenaline-fueled production of contemporary bass music. From the opening bars, ‘King For A Day’ wastes little time establishing its inte

Norwegian DJ and production duo A/K kick off the year with a feel-good release that’s hard to resist. Their latest single, ‘Through You’, sees Henning Astrup and Joakim Kaspersen joining forces with legendary UK soul and disco vocalist Beverley Knight, and the result is exactly the kind of uplifting house record that seems destined for sunny afternoons and packed dancefloors. From the opening moments, ‘Through You’ settles into a groove that feels effortless. The production i