There’s a very specific kind of panic that comes with realising you actually care about someone. Suddenly every text means something, every good moment feels suspicious, and your brain starts preparing for disaster before anything has even gone wrong. "Wishful thinking", out now via Now Listen, sits right in that feeling. That’s what makes it connect so easily. It doesn’t treat doubt like some huge dramatic moment, it treats it like part of the everyday experience of liking s

An Authentic & Refreshing Listening Experience There is a particular kind of artist who never quite fits the timeline the music industry expects: No viral moment, no industry co-sign, no carefully managed trajectory. Just decades of playing, writing, touring, living, and making music because it is simply what they do. Dr Wippit is that kind of artist, and ‘Yup’, his new single, sounds exactly like someone who has made peace with that and is glad they did. Originally from Chi

With his newest endeavour 'Sinner', US artist Ryne Meadow delivers a confrontational and emotionally charged statement ahead of his forthcoming album 'Baptisms'. It’s a track that draws directly from lived experience, but expands outward into an examination of hypocrisy, identity, and the tension between personal truth and imposed belief systems. Musically, 'Sinner' sits within his evolving blend of pop and folk influences, though here the tone feels sharper and more immediat

On his new album 'Powers of Observation', Chris Murphy continues to refine a sound that is both minimal in its source and expansive in its outcome. Working under the name Seven Crows, Murphy builds the entire record from electric violin, yet the result rarely feels confined. It unfolds as a carefully layered body of work that prioritises tone, pacing, and gradual development. Opening with 'Amanda on the Bed', the album establishes its central approach early. A simple motif is

There’s something instantly comforting about hearing Sybil’s voice again, it’s like catching up with an old friend who somehow still sounds effortlessly timeless. On new single ‘Cheers’, she leans into that legacy while giving it a fresh twist, teaming up with Trarius for a collaboration that feels as celebratory as its title suggests. If you’ve followed Sybil since her takes on Dionne Warwick classics like “Don’t Make Me Over” and “Walk On By,” you’ll recognise that same ric

Miles Jeppson’s Green feels like a record suspended between memory and motion, as if each track is trying to hold onto something just before it fades. Across its eight songs, the album builds a soft-focus emotional landscape where nostalgia isn’t worn as decoration but embedded like light through stained glass, colouring everything, distorting nothing entirely. “INTRO” arrives like a breath held too long, a quiet invitation into a world that already feels half-remembered. Whe

Kicking off 2026, 4ra 4ra has uploaded her latest release ‘CHROMEsome’ - a project that aims to transform how we traditionally consume music. With roots in visual art, 4ra 4ra has become an audiovisual architect, pairing Grimes’ unwavering experimentation with Machine Girl’s computerised dissonance to create an EP warning of what will happen to AI-reliant humans in the not-so-distant future. Opener ‘CHROME UP’ sets the Cyberpunk 2077 tone with distorted digital vocals maskin

There’s a stark immediacy to 'Burn' that feels deliberately unpolished in its emotional delivery. Where previous releases hinted at a broader palette, Solum narrows his focus here, diving headfirst into the more volatile edges of heartbreak and letting those impulses guide both its tone and structure. Written, produced, and performed entirely by the artist at the helm, 'Burn' carries the hallmarks of a fully self-contained vision. The production leans into a darker, more elec

Facebook | Instagram | X | Youtube | Spotify Gabriel Audee didn’t grow up with an easy route into music. From a small-town Colorado, he found his language early - beats on a computer, paint on a canvas, songs written long before anyone else was listening. The creativity wasn’t a hobby. It was survival. And somewhere in those years of building sonic worlds alone, a philosophy took shape that still drives everything he makes: every song is a true story. Fast forward to 2026, a

Parker Barrow have released their latest single 'Blinded', offering a first look at their upcoming album 'Hold the Mash', due out July 17. The track leans into the band’s established rock sound, built around a steady guitar riff and a controlled, mid-paced arrangement. Rather than expanding into larger, more complex territory, 'Blinded' stays focused on its central idea, resulting in a grounded and consistent feel. Lyrically, the song explores themes of direction and distract

There’s a true emotional weight to 'Eyes Shut,” the latest single from Ken Woods and The Electric Reckoning. Positioned as the closing statement from the forthcoming album 'American Catastrophe', the track prefers to linger in the aftermath, asking us to sit with what’s been allowed to unfold. Ken Woods has always shown a tendency toward narrative-driven songwriting, but here that instinct is sharpened into something more direct. The song moves at a measured pace, built aroun

Emerging pianist and songwriter Odile Ohms steps into focus with her debut release 'Don’t Give It Wings', a quietly powerful introduction to a project rooted in introspection and emotional clarity. Centred on the ripple effects of past experiences, the track examines how learned behaviours can shape identity, and the moment those patterns are recognised before they take hold. There’s a thoughtful restraint in the songwriting, allowing the weight of the subject matter to settl

Mark Saunders, the Bronx-born vocalist and rapper emerging from hip-hop’s birthplace, continues to refine a sound shaped by introspection, experimentation, and lyrical precision. Blending personal storytelling with layered, dynamic production, he carves out a distinct identity within a crowded and ever-evolving rap landscape. Drawing influence from artists including Lil Wayne, Outkast, XXXTENTACION, Jay-Z, and Eminem, Saunders merges emotive lyricism with shifting flows and t

Built from improvisation, 'As War Starts!' from Shmeisani Jazz Collective unfolds gradually, guided by instinct, and allowing its mood to develop without clear resolution. The performance itself is restrained. Individual parts move in and out of focus, with no single instrument dominating the space. Instead, the collective approach takes precedence, with musicians responding to one another in real time, shaping the piece through subtle shifts in tone and rhythm. There’s a loo

There’s no hesitation in Cello's latest single 'We Do What We Want (When We Want When We Want To)'. It arrives with a sense of urgency that feels instinctive, throwing itself forward with the kind of energy that rarely asks for permission. From the opening moments, the track establishes its intent, with guitars that are sharp and immediate, while the rhythm section pushes everything onward with a restless pulse. It sits somewhere within the lineage of UK post-punk, but there’

There’s a deliberate stillness at the heart of E.G. Phillips' latest single 'Please Don’t Make Me Come Back From the Moon'. Positioned as the final preview before his new collection 'Signals in the Dark', the track showcases an artist stepping back, observing from a distance, and resisting the pull to return. Throughout the release, the arrangement is patient, built around soft brass, restrained keys, and a rhythm section that moves with quiet elasticity. There are clear para

There’s a tension at the heart of 'don’t wannabe a wannabe' that never fully resolves, and that’s precisely what makes it compelling. Positioned as Ævina's first fully self-produced step into dance and electronic territory, the track feels like a recalibration of identity, both musically and personally. From the outset, the production leans into contrast. A bright, forward-moving rhythmic core carries the song, while layered synths and processed vocals introduce a sense of di

Contemporary soul-pop standout GoldFord returns with 'Only You Do', a smooth, emotionally rich offering that leans fully into the intimacy that’s come to define his sound. Built around warm instrumentation and understated grooves, the track places his voice front and centre. It’s a song that unfolds patiently, letting its melodic layers breathe while drawing us into something deeply personal without ever overstating its intent. Arriving after the momentum of his 2025 EP 'Spac

Brussels outfit The Bernadette Maries continue to carve out their own space with 'ESO', a shape-shifting track that feels suspended somewhere between atmosphere and adrenaline. Blending post-punk tension with hazy shoegaze textures and indie immediacy, the trio push further into a fluid, post-digital sound. 'ESO' unfolds in fragments, moving like a half-remembered dream and shifting through phases before lifting into a surprisingly weightless drum’n’bass pulse that reconfigur

There’s a quiet emotional precision to 'Close Call' that immediately sets it apart from the overcrowded world of bedroom-pop. Here, LA artist Carter Vogel sits in that delicate space between connection and missed opportunity, capturing a moment that feels painfully familiar yet rarely articulated with this level of restraint. Built on a soft, late-night palette, the track leans into subtle basslines, understated keys, and a vocal delivery that feels conversational throughout.