Alt/indie-pop artist Creature & Machine returns with her powerful and cinematic new single 'Evergreen'. Blending folk influences with expansive, atmospheric production, the track unfolds as both a personal reckoning and a moment of release. Driven by swelling instrumentation and emotionally charged vocals, 'Evergreen' captures a journey through trauma toward something resolute and self-defined. At its core, the song reflects on survival in the aftermath of an abusive relation

There’s a quiet strength running through 'Letting Go', the latest EP from London-based singer-songwriter Marchant. This is a collection that sits with its emotions, tracing the slow, often complicated process of moving forward when something still lingers behind you. From the outset, Marchant leans into a more stripped-back, narrative-driven approach. Acoustic textures form the foundation, but there’s also subtle flourishes of instrumentation that drift in and out, adding col

A Night With A Sazerac arrives April 17th, and the timing is everything. Rose White's sophomore EP is a record about the past, released by someone who has genuinely left it there. Written entirely by White across a period of hurt and upheaval, and recorded live in the room with producer Ollie Clark in around two takes, the EP carries the warmth and grain of something captured rather than constructed. Joshua Woolf handled the mix and master. Soul is the gravitational centre,

There’s a moment in every artist’s evolution where hesitation gives way to clarity, and on her new offering 'Not The One', Milibea sounds like she’s found exactly that. Emerging from Novi Sad’s growing indie scene, Milibea has been steadily shaping a sound rooted in intimacy and self-reflection, but this latest release marks a noticeable shift. Where earlier work leaned into softer introspection, 'Not The One' carries a new sense of confidence and being far more direct in its

In “You Got This”, Marcello Cordova navigates the intersection of alternative pop-rock and contemporary Christian music with remarkable clarity. The track, featuring Evie Lizarraga, demonstrates an awareness of pacing, layering, and tonal contrast that elevates it beyond a simple inspirational anthem. The song’s instrumentation—synth textures, dynamic guitars, and driving half-time drums—creates a sense of momentum that mirrors the lyrical themes of resilience and faith. Pro

Max Nemo is the kind of artist who makes you feel seen without ever speaking directly to you. Her debut album, Nexus , is a cinematic reflection of the internal landscapes we rarely share, a collection of songs that turn grief, joy, and uncertainty into an immersive listening experience. From the very first note of “Fool,” listeners are invited into a world where ethereal strings and ambient textures meet personal storytelling, crafting a space that is both expansive and inti

Los Angeles-based artist Juliana Beltrán returns with 'Delusional', a stripped-back Latin-pop ballad that captures the quiet collapse of a relationship in its final moments. Built around intimate vocals and minimal instrumentation, the track leans into emotional vulnerability, allowing each lyric to land with clarity. Beltrán explores the fragile space between denial and acceptance, where love lingers despite the inevitable end. Lines filled with restraint and hesitation refl

Manchester indie risers The Rolling People are entering a pivotal phase with the announcement of their new EP Outlier. Dropping alongside a newly unveiled partnership with Pretty Green, the project represents a noticeable shift in both the band’s sound and overall identity, one that feels deliberate, confident and hard-earned. Carrying the weight of growing buzz, Outlier finds the band leaning into a fuller, more driving direction. Across its six tracks, there’s a clear move

There’s a quiet intensity running through Cinnamon Rayne’s latest single 'Demon'. It’s a track that sits inside of heartbreak, examining the aftermath with a steady, unflinching gaze. Emerging from Rochester, NY, the artist has been steadily refining a sound that blends indie-pop sensibilities with a more alternative, soul-leaning edge, and on 'Demon', that identity feels more focused than ever. The production allows the emotional core of the song to take precedence rather th

There’s a quiet boldness to Andrea Pizzo and The Purple Mice’s latest release that slowly pulls you under its surface, as 'Come Out Lazarus 2 – Ineffability' feels like a carefully constructed descent into the unknown. Where many artists might dramatise a concept like this, Pizzo and company take a more restrained, almost philosophical route. The track unfolds with patience, allowing its ideas to emerge gradually, and it’s this sense of control that makes the experience so ab

There’s something quietly defiant about Greg Roensch’s 'Down at the Polystereophonic Dive Bar'. In a landscape increasingly shaped by fleeting moments and algorithm-friendly hooks, this is a record that asks for time, and rewards it. What unfolds here is a series of lived-in vignettes, stitched together with the sensibility of a writer who understands pacing as much as melody. The artist approaches songwriting like a storyteller first, allowing scenes to breathe, characters t

There’s a distinct sense of reinvention surrounding Rhys Hurd’s return, and 'Who the hell am i?' sets the tone with clarity. Positioned as the opening step into a new phase of his work, the track blends familiar influences with a more considered thematic focus. Musically, the song leans into a retro-inspired palette, drawing from synth-led textures that evoke a digital past without becoming overly stylised. Bright keys and programmed rhythms form the foundation, creating a se

London-based artist Malaika has released her latest single 'External Things', the third preview of her upcoming debut EP 'Dye My Hair Dark In The Summer', due May 12. Following earlier releases 'Pretty Pretty Thing' and 'Real Deal', the new track continues her shift toward bright, polished indie-pop, pairing upbeat production with candid lyricism. Co-produced with JMAC and featuring drums from Freddy Sheed, the song explores the tendency to seek short-term distractions rather

Sara Marie Barron returns with her latest single 'West Coast', a reflective and atmospheric release that challenges the idealised image of life in California. Having developed her sound between Detroit and Nashville, she uses the track to explore the emotional disconnect that can exist beneath outward success. Rather than leaning into sun-soaked imagery, 'West Coast' unfolds through ambient textures, hazy synths and subtle field recordings, creating a sense of quiet unease. P

Los Angeles-based artist Luke Armstrong has released his latest single '2000', a high-energy alternative pop track shaped by urgency, imagination and social observation. Recorded with Daniel James, the song reflects Armstrong’s instinctive, stream-of-consciousness writing style. Framed from the perspective of someone living in the year 2000, the track steps outside modern Western life to examine its excesses and contradictions. Driven by a relentless rhythm and vivid lyrical

There’s a sense of transition at the heart of Highway Wolf’s latest release. 'No Time For Time' marks a shift from reinterpretation into an original piece that feels grounded in lived experiences. The track carries a quiet weight from the outset. Built on a restrained, organic arrangement, it leans into atmosphere, allowing the emotion behind it to surface gradually. There’s no rush to resolution as the song unfolds with a measured pace that mirrors its themes of reflection a

On their latest cut 'Here’s to the Amicable', Nada UV take a restrained approach to a subject often handled with excess. Rather than dramatising the end of a relationship, the track focuses on the lingering tension that exists when things conclude without clear resolution. Musically, the song is built around a consistent, looping foundation. The groove remains steady throughout, allowing the finer details to carry the progression. Textures shift gradually, with manipulated sa

There’s a clear sense of intent running through Ajoshd’s work, and 'Ballin’ Outta Control' continues to reinforce that. Rather than relying on surface-level impact, the track and its accompanying visual leans into a broader, more considered approach that places equal importance on narrative, identity, and execution. Taken from 'TEJAS', the single is framed within a fully realised concept that centres around a fictional sports media landscape tied to his THC (The Hodge Council

Montello have just stamped their claim as one to watch with the release of the exciting new single 'Suit & Tie'. The track shocases a vibrant blend of 90s aesthetics with fresh faced, youthful energy. With a series of big festival slots on the horizon, the band are riding a wave of momentum which is seeing them mentioned across major press and national radio. We wanted to know more about the bands taste, over to Montello to give us 5 of their all time faves: ‘The Night’ - Fra

There’s a fine line between escapism and excess, and Sponsian spend their latest single walking it with intent. 'Party Song' is a celebration that captures the blur of nights that feel endless until they suddenly aren’t. From the outset, the track moves with a restless energy. Guitars twist and surge rather than settle, shifting through unexpected turns that mirror the unpredictability of the environments it portrays. It’s a sound that refuses to stay in one place for too lon