With ECLIPSE , Irène Schrader delivers a trilingual and emotionally bold statement that defies genre conventions. The EP’s fusion of English, French, and Mandarin allows her to explore universal themes of love, loss, and identity from a unique, global perspective, creating a deeply resonant and immersive listening experience. The production throughout the EP is both cinematic and intimate. Tracks like Written In The Stars and Nomade 游牧 highlight Schrader’s deft balance betw

Òran Mór’s packed audience found themselves part of the story as Dystopia: The Rock Opera transformed the venue into a full-blown satirical state. The space was decked out in flags and propaganda, and every audience member received their own Dystopian flag. By the finale, every single person was waving it — cheering, laughing, and unwittingly enacting the show’s darkly comic message about obedience, spectacle, and the seduction of power. Written, produced, and performed by Ju

CS Hellmann’s new two-track EP 'In My Head' are a pair of songs pulled from the space between self-reckoning and restless ambition. It’s a stunningly focused step forward for the Nashville artist, who has spent the past few years chiseling a world where shadowy synths, bruised honesty, and wide-open atmosphere blur into something unmistakably his own. And at the centre of it all is the creative chemistry between Hellmann and producer Jared Corder, a partnership that’s become

“All My Exes” shows a different side of My Side of Paradise, swapping their usual cinematic intensity for a cheeky, fun-loving energy that’s impossible to resist. From the first note, the song hooks you with catchy riffs, clever wordplay, and a playful attitude that makes it an instant mood-lifter. The collaboration with Jaret Reddick is nothing short of iconic. His signature vocals bring an authentic pop-punk vibe, elevating the track and bridging the gap between nostalgia

UK five-piece Mamas Gun have released their stirring new single 'Food For The Flames', a rich and reflective track recorded direct to analogue tape. Built around a slow-burning groove and a falsetto-led vocal, the song explores the work and warmth needed to keep love alive, using fire as a metaphor for emotional connection. Co-written by guitarist Terry Lewis and frontman Andy Platts, the track has already won over audiences during the band’s recent global tour. Bassist Camer

Blue Capricorn has unveiled his latest single, “MISERICORDIA,” a brooding and emotionally charged track that signals the first taste of his upcoming EP, slated for early 2026. Clocking in at 3 minutes and 55 seconds, the song blends downtempo, darkwave, and experimental electronica, delivering a cinematic soundscape that captivates from the first note. The single is a collaboration with Dallas-based producer Black Taffy, whose unique blend of ambient textures and beat-forward

Every so often, a love song arrives that feels like it’s carrying something ancient, elemental, and touched by the forces that remake a life. Shelita’s 'I'm So In Love With You' is one of those rare pieces. It floats into the world with a gentleness that belies the storm it came from, fusing warmth and vulnerability with a quiet sense of triumph . Shelita has always been an artist unafraid of depth, but this new chapter feels different. After surviving a near-fatal fall that

York’s rising alt-rock outfit YouVee are back with a surge of energy on their thunderous new single ‘Walk Of Fame’, a track that crystallises the momentum the four-piece have been building across the northern alternative scene. Blending razor-sharp riffs, pounding rhythms and soaring, dream-tinted vocals, the band deliver a sound that’s as cinematic as it is visceral, a whirlwind portrait of ambition, chaos and the magnetic pull of modern-day recognition. The single arrives s

Some bands begin with grand declarations. The Ingrid began with a feeling - the kind you can’t quite name, but can’t ignore either. In a modest Chichester rehearsal room, three musicians found themselves orbiting the same intangible spark. There was no blueprint, no fixed sound in mind. Just Jess Charleslyn turning over a small, persistent idea, trying to work out why it wouldn’t leave her alone. That idea became “Limerence,” the band’s debut single, a track that seems to g

Photo credit: Lulu Shing With his rework of Phil Collins’ “Another Day in Paradise,” Ben Hazlewood dissolves nostalgia into a raw and cinematic dream tableau. The New Zealand-born, New York based artist approaches the 1989 classic as a quiet confrontation: bridging empathy and nostalgia into a timeless modern twist. Recorded in his apartment with a longtime collaborator, Hazlewood’s version feels both intimate and expansive, a world where tenderness hums beneath the noise.

Kenyan GRAMMY-winning singer-songwriter Bien expands the reach of his powerful anthem with a cross-continental remix of 'All My Enemies Are Suffering', featuring Nigerian rap heavyweight Phyno. Produced by Remy Baggins (Tems, Ice Prince, Dami Oniru), the remix retains the original’s choral, chant-driven core while adding vibrant new layers: Phyno’s Igbo-infused verse, highlife-tinged guitars, additional percussion, and stacked vocal harmonies create a dynamic, call-and-respon

TUNTUN isn’t just a project, it’s a vibe. Masked and mysterious, it’s the faceless alter ego of Nathan Jamal (also known as Roseland En Why Cee), giving him the freedom to play, experiment, and just let the music move him. His debut EP, 'TEXTURES', is a six-track whirlwind of raw energy, introspection, and UK Bass bravado, showing off a sound that’s as messy, playful, and alive as London itself. From the first listen, it’s clear that Jamal isn’t interested in playing it safe.

Sixth House isn’t just making music, he’s making survival an art form. His new EP, 'House of God', is six tracks of raw emotion and club-ready energy, and it feels like a journey straight from the depths of personal struggle into moments of fragile peace. Growing up with his father’s suicide, periods of homelessness, and navigating ADHD and dyslexia, Sixth House found refuge in music, and that refuge becomes crystal clear in this EP. Every track carries that mix of grit and b

Some releases whisper, and somehow still hit harder than a shout. mUmbo’s 'When It Was Quiet' is exactly that kind of revelation as it delivers a three-track dreamstate that feels both feather-light and emotionally seismic. The UK/Italy trio, comprised of Doug MacGowan, Emma Semple, and Antonio Dalé, make songs that feel like they were already floating in the ether and just needed the right hands to catch them. And the magic of this EP lies in how those hands collaborate. Id

Following the release of her latest release, 'Medium Ugly', we caught up Megan Burke to find out more about what influences her superb sound. If you enjoy Megan's picks, be sure to check out the new single at the end of the article! What Is It About Men - Amy Winehouse The first time I heard this song, my job was on the floor, I have never heard anyone write in such a straightforward way. She wasn’t using crazy metaphors she was just saying it out straight and I didn’t reali

Some collaborations feel engineered. Others feel fated. 'Game of Love', the luminous new single from Michellar featuring Rad Datsun, sits firmly in the second category, offering a track born out of a moment that sparked and kept burning long after the retreat where its seeds were planted. Michellar craft music with the soft glow of nostalgia and the pulse of modern indie-pop. And on 'Game of Love', they lean fully into that duality, crafting something warm, teasing, and quiet

Every so often, a debut album arrives that announces an artist with such clarity, such emotional intuition, that you instantly know you’re witnessing the beginning of something special. Louis O’Hara’s 'A Peaceful Kind of Fun' is one of those rare first chapters that delivers a radiant, soul-stirring introduction that transforms quiet reflection into something unforgettable. From the very first moments of 'The Kid In Me', the artist reveals himself as a songwriter with an extr

“Hold On Tight” is Why Another at their most compelling—bold, atmospheric, and unafraid to dig into the emotional chaos of the modern world. The track jumps out of the gate with a gripping guitar riff that sets the tone for an exhilarating ride through uncertainty. The band moves effortlessly between tension and release, crafting a soundscape that feels charged and cathartic. Each musician’s strengths come through, creating a dynamic interplay that elevates the track far bey

Los Angeles funk collective Brassroots District have dropped their new single 'Aim High' via For The People Records, setting the stage for their long-awaited debut album, arriving January 29. The release comes as the band prepares for an extended residency at Jewel’s Catch One in Koreatown, taking place February 7, 13, 20, 28 and March 7, 14, 20, 28. Featuring vibrant horn sections and a bassline built for packed dance floors, the track showcases co-leads Ursa Major and Coppe

Let Go Echo’s Phoenix is an EP you drift through, like stepping into the glow of a distant nebula and feeling the gravity shift beneath your feet. The band's Christopher Henry has been shaping sonic worlds for years, but here he pushes further into the astral unknown, stitching together vapour-trail guitars, glacial synths, and pulse-driven electronics into a four-part voyage that feels both intimate and infinite. What immediately defines 'Phoenix' is its devotion to texture.