Rising alternative-pop singer-songwriter Molly Warburton returns with her most powerful statement yet in the form of explosive new single, 'Shout Louder'. Released alongside her current UK tour with Lucy Spraggan, the track arrives as an unapologetic anthem of self-expression, rebellion, and refusing to make yourself smaller for anyone. Driven by an electrifying energy that perfectly captures the intensity of her live performances, Shout Louder showcases Warburton's natural t

The Detroit indie-pop project’s new single is a groove-driven meditation on letting go … and it lands Marcus Assenmacher has spent a long time making other people sound good. Years in studios and writing rooms alongside the likes of Teddy Geiger, Lauv, and Grammy-winning producer Ricky Reed will do that. You learn the mechanics of a great song from the inside out, develop instincts that most artists spend a lifetime chasing, and quietly wonder when it might be time to step fo

LEXA - Rainbow Honour's Musician of the Year and Sex Education star - releases 'Baggage Claim', the lead single from A Guide to Heartbreak, the final chapter of her EP trilogy. It's a record about a first breakup with a trans person, written and produced exclusively by trans+ artists. That's not a footnote. That's the foundation. Co-written with SATCH - the established songwriter behind Transpose, a dedicated trans+ songwriting camp launched in collaboration with The Ivors Ac

James White & The Wild Fire have unveiled their latest single, The Ballad of Jimmy Blanco, released on 29th May, offering another compelling preview of their forthcoming EP, How To Replace Anxiety With A Broken Heart, due for release on 19th June. Formed in 2019, the band have steadily carved out a distinctive space where psychedelic folk rock intersects with traditional American roots music. Their sound combines atmospheric, expansive textures with the structural precision o

North West indie quartet Movin’ On continue their impressive rise with the release of their second single, How We Used To, arriving on 29th May. Following a debut that earned airplay from Steve Lamacq on BBC Radio 6 Music, the band return with a bold and confident follow-up that further showcases their growing potential. Blending emotionally sincere songwriting with driving indie energy, How We Used To captures both the raw intensity of the band's live performances and their

There is a difference between writing about a life transition and turning that transition into advice. On “Less Important Things,” Eric Hirshberg mostly stays on the better side of that line. His new single is about becoming an empty nester, but it does not try to tell listeners what the experience means in any universal, tidy way. Instead, the song sits with the feeling. Hirshberg writes from the moment after the children have left home, when the routines of parenthood are n

With a new face joining the outfit, Energy Whores are exploring sounds and textures that bring a fresh creative vision to an already established band There is a version of Energy Whores that arrives with sirens blazing. ‘Hey Hey Hate!’, the opener from their January 2026 album Arsenal of Democracy, is that version: sharp, confrontational, politically loaded and built for maximum impact. It is very good. ‘Fade to Gray’, their new single, is something else entirely, and the dis

Essex/London-based singer-songwriter George Bone has announced his forthcoming debut EP The Yes Man alongside the release of a new single, ‘Floating Away’, a sweeping, heatfelt, cinematic track that builds anticipation for the upcming full release. Fresh from being named among BBC Introducing Essex & Cambridgeshire’s Ones To Watch for 2025, Bone’s latest release leans into the emotional storytelling and stylistic fluidity that have defined his rise so far. The single serves

There is something particularly devastating about the phrase “it’s all good” when it absolutely isn’t, and Anna Hay knows exactly how to weaponise that contradiction. On her latest single, the NYC-based singer-songwriter takes one of modern conversation’s most casually dishonest phrases and turns it into a sharply observed pop-rock anthem about suppressed feelings, emotional self-preservation, and the painful theatre of pretending not to care. Written about being in love with

Brooklyn-based indie artist Alaina May introduces an exciting new chapter with the release of ‘Casual’, a beautifully vulnerable single that captures the emotional confusion of wanting something temporary while longing for something deeper. Produced by TOLEDO, the track wraps May’s intimate vocals in dreamy indie-pop textures and understated melodies, creating a sound that feels both delicate and emotionally immersive. At its core, ‘Casual’ examines the intoxicating pull of f

Barcelona-based artist and spoken word performer, Msb Mario, is back with his unique sound and live set for two huge dates at either end of the UK. Performing in Brighton and Newcastle, at the Folklore Rooms and The Cluny respectively, Msb Mario's distinctive sound is sure to wow crowds. Described by Spanish outlet Kamikaze Sonoro as “An experience that goes beyond music. Msb Mario El Niño de la Pili tells stories that touch people's hearts”, Msb Mario comes off the back of 2

London-based British-Australian artist Oscar November has released the new single, 'Anything', an immersive and hazy summer soundscape that further cements his place within the UK’s emerging psychedelic indie scene. Released on 22 May, 'Anything' draws listeners into Oscar November’s distinctive sonic world, blending introspective songwriting with rich, atmospheric production. The track offers a glimpse into what the artist describes as his “busy mind,” pairing reflective lyr

Fresh from a run of live dates alongside Jamie Webster, Manchester indie trio Bank Holiday arrive with the kind of debut single that feels less like a first step and more like a statement of intent. Released on 27th May, ‘Out Of The Blue’ is a radiant, guitar-driven introduction to a band already sounding remarkably assured in their identity. Built on shimmering riffs, punchy percussion and a grounding bassline, the track channels the spirit of ‘90s alt-rock through a modern

In the lineage of sharply observed British indie songwriting, Crawford Mack’s latest single “Don’t Play The Victim” lands with a grin and a raised eyebrow. The Glaswegian songwriter’s newest offering dismantles masculine self-mythology with wit, precision and a keen sense of theatre, following a parade of men who mistake entitlement for individuality. Mack’s writing has always thrived in the space between personal confession and social commentary, but here he finds a particul

DJZEPiC continues to refine his formula of funk-laced house and disco-inspired euphoria with 'i GOT A FEELiNG', a single that feels tailor-made for sunset sets, packed dancefloors, and feel-good festival moments alike. The Australian producer has steadily built a reputation for blending nostalgic influences with contemporary club production, and this latest release is among his most polished efforts to date. Built around a buoyant groove and a relentlessly infectious rhythm s

Some songs arrive carrying more than a melody. They arrive with history attached to them - fragments of past selves, unfinished conversations, and questions that have only become more relevant with time. For Labrador Labratories, ‘Coded to be Free’ feels like exactly that kind of return: not a comeback built on nostalgia, but a thoughtful reintroduction from a band revisiting their origins through a contemporary lens. The story behind Labrador Labratories has always occupied

Few producers in modern electronic music navigate the intersection of heavy music and dancefloor energy as confidently as Mazare. On his latest release, ‘King For A Day’, the Italian producer joins forces with Brighton’s rising metal outfit EVILLE to deliver a genre-defying anthem that combines the raw intensity of alternative rock with the adrenaline-fueled production of contemporary bass music. From the opening bars, ‘King For A Day’ wastes little time establishing its inte

Avnah’s debut single 'I Feel Your Love In Me' is one of those tracks that instantly settles into its own groove. Warm, soulful, and effortlessly smooth, it introduces the Atlanta-born, Ghana-raised artist with a level of confidence that feels refreshingly natural for a first release. Built around mellow guitar lines, gentle percussion, and lush harmonies, the song creates an inviting atmosphere from the outset. There’s a richness to the production that draws from soul, jazz,

There's something refreshing about the way Charlie McDonald approaches songwriting. On his debut EP Things I've Never Said, the London/Paris-based artist doesn't try to dress up his emotions in grand metaphors or dramatic production tricks. Instead, he leans into honesty, creating a collection of songs that feel personal, relatable, and quietly affecting. The standout moment comes in the form of lead single “Don’t Worry”, a track that takes a feeling most people know all too

Running on Credit lean into the strength of traditional country storytelling on ‘Searching for the Sound’, a reflective and emotionally resonant title track that serves as a fitting introduction to the Southeast Texas outfit’s debut album. Grounded in authenticity and shaped by real-life experience, the song highlights the qualities that continue to make country music such a powerful vehicle for personal narrative. Built around warm acoustic textures, expressive steel guitar,